At times I am certain I have forgotten how to pray
Lips part, the breath moves in and out
But I cannot find the words
I go into the woods alone
And I am reminded that it doesn’t matter
To be here, alive, is prayer in itself
At times I am certain I have forgotten how to pray
Lips part, the breath moves in and out
But I cannot find the words
I go into the woods alone
And I am reminded that it doesn’t matter
To be here, alive, is prayer in itself
The beach is, hands down, one of my favorite places to make pictures. Probably because it’s such a rarity to get to do so. Last year I spent most of time enjoying the soft light and pastel colors of the early morning hour. But this year I wanted to try to look for something a little different, to see the beach in a new way.
As I walked the shore at sunrise I was struck by the work of the tide; painting its canvas each night, revealing new compositions and patterns each morning. The sun’s first rays danced across the landscape illuminating even the most subtle textures. And I watched as people would walk across, never seeming to notice what was before them.
A little over two weeks ago I was keeping an eye on a hurricane as I packed for the beach. Other than a cool morning here and there it was still decidedly summer here in Athens. But I came home after a week away to find that autumn had made her entrance during my absence. I thought it called for a quick day trip up to some of my favorite mountains, with the Mamiya and a few rolls of Portra in tow of course.
Images made on Kodak Portra 400 with the Mamiya 645 1000s.
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